Art history has attracted my curious brain from childhood to the present. Focal areas during my formal studies include: printmaking, the intersection of artists’ texts and visual works, modernist artist groups and publications, and the Bauhaus school. My ongoing art history learning is wide-ranging across time, place and perspectives.

My favorite research methods are archival research and visualizing through sketches or digital media. At the University of Wisconsin-Madison I earned a Bachelor of Science degree studying works on paper, oil painting, digital illustration, 3D modeling, and artists’ writings. In early 2005 I audited art history courses at the CUNY Graduate Center to prepare for graduate school applications. At the University of Washington in Seattle, I earned a Master of Arts degree researching original prints, sculpture and modernist magazines. I can research with competence in English, German and French and have experience consulting primary sources in archives and special collections in the United States and Germany.

Conferences / Presentations / Papers

  • Paper: “Study for the Triadic Ballet: A Prologue to a Bauhaus ‘Metaphysical Revue’”, 2011 Seattle Art Museum and University of Washington Graduate Students of Art History Symposium: From Object to Action: Art and Performance

  • Paper: “Forest Tales and Sculpted Ghosts: Adaptations of Contemporary Nigerian literature in the print oeuvre of Bruce Onobrakpeya”, 2010 University of Washington Interdisciplinary Graduate Conference: Adaptations

Grants / Fellowships / Awards

  • 2012 Thelma I. Pell Travel and Research Award
  • 2012 Graduate Students of Art History Travel Grant
  • 2011 Deutscher Akademiker Austauschdienst (DAAD) Summer Course Grant
  • 2010-11 Foreign Language Area Studies (FLAS) Fellowship (German), Jackson School of International Studies, University of Washington - Seattle

Georges Vantongerloo sculpture digitization

A graduate paper explored Belgian De Stijl artist George Vantongerloo’s enigmatic mahogany sculpture Construction of Volume Relations (Rapports des Volumes). Photographs of the 1921 sculpture in publications reproduced very few angles and look quite different from one another. Curious about the relationships in the round, I built a 3D model of the sculpture, guided by reproductions of Vantongerloo’s schematic drawings. Video game artists Liz Beetem (sibling) and Ben Carnow lighted the scene and textured the model with a texture of the same wood type, then I finalized and rendered the scene. The collaboration produced a Quicktime VR “turntable” video with numbered frames that were referenced in my written analysis. The model is now available on Sketchfab and 3D Warehouse.

The original Construction of Volume Relations by Georges Vantongerloo is in the collection of the Museum of Modern Art in New York City. This model is presented for free as a transformative use of this artwork. It would be interesting to compare the relations in my model to a digital model created from the original work. This 3D model is true to the proportions of a set of the artist’s schematics, but appears more narrow than the original in some photographs and in person. Why?

Bauhaus MA Practicum

Der Austausch Online is an online presentation of my research on the Bauhaus periodical Der Austausch (Interchange, The Exchange). Der Austausch was a short run periodical created and crowdfunded by students in Spring and Summer 1919 during the first semester of the new State Bauhaus in Weimar. It was printed on cheap paper at a nearby Weimar printing house R. Wagner Sohn.

While working on a MA thesis surveying original prints in German modernist periodicals, committee members retired and I took the project in a new and more accessible direction. The resulting practicum project is a website that presents an annotated digitization of a microfilm reproduction of Der Austausch and contextualizes it with accompanying virtual exhibitions.

To create the website I chose the open-source online exhibition building software Omeka Classic and created a custom theme that draws on grid-based Bauhaus modes while presenting Der Austausch - a periodical that is more visually and formally aligned with late German Expressionist media than the geometry of post-De Stijl Bauhaus design. The digitization was created from a microfilm stored at UC-Berkeley and original copies of Der Austausch were consulted at the Getty Research Institute Special Collections and Northwestern University McCormick Library Special Collections. I plan to release a public version of Der Austausch Online after receiving all image permissions.

Thumbnail of Der Austausch Online website, full screen layout Thumbnail of Der Austausch Online website, mobile layout